Tom Snyder Turned Television Into a Tete-a-Tete
Washington Post Staff Writer
Tuesday, July 31, 2007; Page C01
was born to broadcast. He loved television and it loved him back. In
that, he was a member of a vanishing breed, especially as narrowcasting
displaces broadcasting, “online” replaces “on the air,” and any Tom,
Dick or Mary can be monarch of a desktop domain, uplinking themselves
to satellites in space.
Snyder’s death Sunday from leukemia, at
the age of 71, was not “the end of an era,” as is often said of
legendary figures in any field, but another poignant part of a long
goodbye, of a transition painful to those who remember the great
broadcasters of television with deep affection — Dave Garroway, Howard
Cosell, Jack Paar, and some, like Regis Philbin, who are still alive and working.
Snyder on CBS’s “Late Late Show,” which he hosted from 1995 to 1999. It was his final network program. (1995 Photo By Richard Cartwright — Cbs)
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All they needed was a TV studio, a relatively small crew and a
camera or two with which to reach out across the country into big
cities and small towns, tenements and penthouses, and keep a viewer
captive, speaking not to “everybody” but to each individual, intimately.
Snyder made his last network talk show, “The Late Late Show” on CBS,
partly a celebration of television — as it is, but also as it was.
“The simulcast is up and running,” he’d say after his introductory
chatter about whatever was on his mind that day, “simulcast” being by
then a seldom-used term for a TV show also heard on radio. “So settle
back,” he would say, “fire up a colortini, and watch the pictures fly
through the air.” No one was sure what a “colortini” was — maybe a
martini linked somehow to color TV, which was once more of a novelty
than high-def is now.
“I’m small,” Snyder said in a 1995 interview, as he began the new CBS show, which he hosted for four years. (He had hosted NBC‘s
late-night “Tomorrow” program from 1973 to 1982.) “I’m little
television. I’m not big. I’m 19 inches diagonal, and if I can do that,
I’m okay.” In person he was anything but little. He stood 6 feet 4 and
wore, he said, size 13-D shoes (sometimes doing the show in his socks).
He was so self-conscious about having big ears that he let his hair
grow down over them.
And the picture got bigger, from 19 inches
diagonal to today’s wall-size 50-, 60-, 70-inchers and more. The size
is almost irrelevant; Tom Snyder was big enough to fill the night with
talk and his own persona. The Snyder we saw on TV was not a replica of
the real guy; it was the real guy. Like David Letterman, whose company produced “Late Late” (as it does the current version with Craig Ferguson), Snyder was perhaps never so comfortable as when under the hot lights and wired for sound.
really was a true broadcaster,” Peter Lassally, Snyder’s executive
producer, said yesterday. (Lassally continues to produce “Late Late”
with Ferguson, another natural talker.) “The word ‘broadcaster’ is
tossed around and used for anybody who works in the business, but Tom
did what a true broadcaster can do: He made the camera disappear and
talked directly to the viewer, and it was just ‘conversation.’ There
really was no one like him.”
“The big man is gone,” said CBS News
Vice President Steve Friedman, 60, who knew Snyder for 37 years. They
became close friends when Friedman was a news writer in Los Angeles and, later, executive producer of NBC’s “Today” in New York.
“Tom used to say, ‘Writers write, producers produce, and stars star,’ ”
Friedman said, “but he only said that to make us feel better — because
he was a better writer than any of us, a better producer than any of
us, and the biggest star in our universe.”
quirks — including his loud, staccato “ha-ha-ha” laugh — were too
tempting to be ignored by impressionists, and the definitive faux
Snyder was unquestionably Dan Aykroyd, who perfected the impression
during the first five years of “Saturday Night Live.”
It became one of the most popular bits on the show, and it helped
popularize Snyder with a young audience that otherwise might have
The impression became so well known that there were
times, on his own show, when Snyder would do his version of Aykroyd’s
version of Snyder, making the ha-ha-ha’s even broader. He wasn’t really
such a good sport about the imitation, though. “He was never that fond
of it,” a friend said.
What Snyder proved at NBC and at CBS was
that he could interview virtually anybody — from mass murderer Charles
Manson to Beatle John Lennon to entrepreneur Martha Stewart to Johnny Rotten of the notorious Sex Pistols. One of the most hilarious Snyder encounters ever was an interview with Howard Stern, a hugely entertaining case of culture clash.
Stern to Snyder: “You are a psychopath!”
“People who didn’t do other talk shows did Tom’s show,” Conan O’Brien,
boy genius of the new generation of TV talkers, has said of Snyder.
“And they said things there that they wouldn’t say anywhere else.”
the 1995 interview, Snyder was praised for his session with Stern. His
response: He blew his top. He said he was sick of hearing about it and
complained that NBC had aired it too many times. He was, it seems, more
at home with an argument than a compliment, naturally contrary and
argumentative. It was commonly said of Snyder that he could have gone
farther in the business if only he hadn’t always fought with network
management and with any other authority figures around.
was still at NBC, and network boss Fred Silverman was displeased with
his ratings, Snyder suffered the indignity of having his show torn
asunder; a studio audience was brought in, and gossipeuse Rona Barrett
made regular appearances. Snyder hated her and hated the new format
and, inevitably, clashed again with the bosses in the front office.
Silverman had committed the ultimate sin in Snyder’s view: He had come
between Snyder and his viewers.
Bits and pieces of Snyder in his
element, and in his glory, circulated yesterday on the latest medium to
threaten television, the Internet. There was Snyder again, grilling
guests pugnaciously or roaring that expansive laugh. On a computer
monitor, the pictures were small again — but Tom Snyder was still a
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